Reviewer: Srajan Ebaen
Financial interests: click here
Sources: Retina 5K 27" iMac (4GHz quad-core with Turbo boost, 32GB RAM, 3TB FusionDrive, OSX Yosemite. iTunes 12.2), PureMusic 2.04, Qobuz Hifi, Tidal Hifi, COS Engineering D1, Metrum Hex, AURALiC Vega, Aqua Hifi La Scala MkII, SOtM dX-USB HD w. super-clock upgrade & mBPS-d2s, Apple iPod Classic 160GB (AIFF), Astell& Kern AK100 modified by Red Wine Audio, Cambridge Audio iD100, Pro-Ject Dock Box S Digital, Pure i20, S.A. Lab Lilt [on loan]
Preamplifier: COS Engineering D1, Nagra Jazz, Esoteric C-03, Bent Audio Tap-X, Vinnie Rossi Lio (Slageformer AVC)
Power & integrated amplifiers: Pass Labs XA30.8, FirstWatt S1, F6; Crayon Audio CFA-1.2; Goldmund Job 225; Gato Audio DIA-250; Aura Note Premier; Wyred4Sound mINT; Vinnie Rossi Lio; AURALiC Merak [on loan], SST Audio Son of Ampzilla II [on review]
Loudspeakers: Albedo Audio Aptica; EnigmAcoustics Mythology 1; Sounddeco Sigma 2; Eversound Essence; soundkaos Wave 40; Boenicke Audio W5se; Zu Audio Submission; German Physiks HRS-120, Gallo Strada II w. TR-3D subwoofer
Cables: Complete loom of Zu Event MkI and MkII; KingRex uArt double-header USB; Tombo Trøn S/PDIF; van den Hul AES/EBU; AudioQuest Diamond glass-fibre Toslink; Arkana Research XLR/RCA and speaker cables [on loan]
Power delivery: Vibex Granada/Alhambra on all components, 5m cords to amp/s and subwoofer
Equipment rack: Artesania Audio Exoteryc double-wide 3-tier with optional glass shelves and Krion or glass-based Exoteryc stand/s for amp/s
Sundry accessories: Acoustic System resonators
Room: Irregularly shaped 9.5 x 10m open floor plan with additional 2
nd-floor loft; wood-paneled sloping ceiling; parquet flooring; lots of non-parallel surfaces (pictorial tour here)
Review component retail: TBA


Some companies patent their secret sauce. To create narrow or broader protection, this secret must be spelled out in detail sufficient enough for either aim. To actuate protection means enforcement with potentially costly law suits should a first warning elicit no response. If, that is, the offender's country of operations is covered by the patent in the first place. Other companies prefer to avoid this can of wiggly worms. They don't talk secret sauce at all. They'd rather forego whatever bragging rights or perception advantages a patent or lots of tech talk might hold. Now industrious copy cats must reverse engineer from scratch. They have no easy list of ingredients and processes to look up in the patent registry or on the maker's website. Whatever special sauce the two Frenchmen Alain and Christophe of Absolue Créations cook into their cables remains a secret. Even what distinguishes their five ranges of analog signal and power cables on features, conductor count, geometry, layers, shields, materials and such is no longer spelled out as it once was on an earlier version of their website.


That something as seemingly mundane as cabling is far from 'patented out' is shown by Delphi Aerospace. They build cables for extraterrestrial mission-critical apps like satellites; and for infraterrestrial uses like the subterranean CERN Large Hadron collider in Geneva. They hold eight patents in the fields of reactance cancellation and noise reduction. Some of Delphi's noise reduction in cables "is achieved by the use of metal powders impregnated into the innermost shield" and a conductor alloy "made of rare earth and precious metals plus ceramic ingredients". Of course when you're selling hundreds of thousands of kilometers worth of wire to the military, NASA and government-funded research facilities, your resources are much grander than the typical boutique hifi outfit. For Absolue Créations, less chatter is better than verbal braggadocio and patents.


As we do all learn once old enough, any major or minor organ and bodily function working below par causes discomfort and immediate or eventual problems. Serious malfunctions can get life-threatening regardless of whether they happen to the big stuff like heart, brain and lungs; or to apparently lesser stuff like a kidney, prostrate or patch of skin. The big C suffers no prejudice. And yes, one can live with just one kidney. Ditto for listening to mono. But other surgical removals in a traditional hifi system cause sudden death. True, wireless might one fine day replace all signal cables; if Nikola Tesla's wireless electricity revives, perhaps even power cords. But for now, wires are as essential to an upscale separates hifi with passive speakers as cardiovascular or nervous systems are to our existence. When it comes to health and wellbeing, nothing is more or less important. All of it matters. This applies to cables. No cables, no sound. Some cables make sound but our systems act sluggish, tired and worn-out. Aged. Other cables rejuvenate and spunk up the sound. Things sound fresh, vibrant and exciting; young, fit and beautiful. We might prefer otherwise but there it is. That said, cable expense alone predicts very little. This includes the knee jerk that expense must equate to a scandalous rip-off. For just one counter argument, other hifi gear might be priced purely on what it competes against, not on what it costs to build. Why not cables? For another argument, if small-scale custom conductors and plenty of manual labour are involved, build costs could be higher than apparent. In the end, condemning costly cables on principle is just as premature and myopic as believing that they will sound better just because they're expensive.


Having taking an earlier spin with Absolue Créations' more budget cables from their IN-TIM mid line, today's assignment would play it more posh. Blame personal curiosity. Not only felines are afflicted. It's human nature too. Especially if one keeps allocating upgrade funds to components and speakers whilst the resident cable loom remains static. How long before that cogs up and fires back? After all, imbalanced fitness of monster biceps tacked to a weak lower back diminishes our life quality. Just so a studly amp on prestigious speakers leashed up with mediocre cables is bound to lower our sound quality. If I needed still more personal justification, there was always that persnickety little thing of good sound being a vital part of my work. "Bring it on!" had to be the motto. Just what I'd be sent I left up to our two Frenchmen. I simply laid out what lengths and types I'd need for a complete loom, in both a minimalist (DAC/amp) and bigger system (DAC, pre, mono amps, biwire). Given that I'd need one 6m interconnect and at least one 5m power cord either way, such non-standard specimens could easily languish in storage until the right customer came along. It'd be unsporting to expect a small company to roll out their costliest spread on such custom lengths. "Surprise me" was the kosher context. Without being given specifics, I was told to expect a mix of cables across their top three ranges.


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